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sQuare Productions » 2005 » August

Archive for August, 2005

08.28.05

Last week, The Boston Phoenix began running a column written by yours truly. You can read it here.

The new issue out today has the second column. This will be a weekly thing. It’s called Circuits and it’s designed to give the long-overlooked Boston electronic scene some regular coverage. It will also include scenemakers and beatmatchers, from the electronic music promoter to hip-hop DJs.

Add circuits@squar3.com to your local announcements list if you please.

And check out this page for more photos of Köln.

Oh, and speaking of Köln, here’s a track we heard everywhere, from Hawtin throwing it out towards thousands, to Koze making it at 5am, to the very shop Kompakt itself when people started to nod their heads like Republicans.

And with good reason, it shines and shines. From the fire-fueled Poker Flat label. Greek techno. Luciano-style, naturally.

Argy - Love Dose (Luciano Remix)

08.22.05

Germany is to techno what Tennessee is to Rock and Roll: a sort of musical melting pot which was fed by technology. In the case of Tennessee, it was better guitars; in Deutschland it’s better drum machines. So, Kompakt is the Sun Records of the new electronic sound.

Starting Wednesday, the C-O Pop festival takes hold of Köln (Cologne) Germany and an endless list of talent is slated to be, well, city-wide. The heart and soul of the new scene, though, is Kompakt.

Kompakt is a cultural cooperative that incorporates production, distribution, retail and promotion. There are few labels like it in the world, if any. Housed in one building in Köln, it maintains all it’s facilities under one roof. Record studios, shops, offices and kitchens.

sQuare productions is going to Köln to film the third segment of the documentary Speaking in Code. And to take as much of it in as we can.

I hope we can blog a little from Köln, and some photos as well. We shall see.

Kompakt recently launched an MP3 site, which is a pretty brilliant move, considering the label has devoted fans in far-flung places. It’s also massive as they can maintain their aesthetic as a distributor, as a shop and as a cultural entity. Click around and buy some things.

Kompakt MP3

The Total series is available in the US on CD/LP at
Forced Exposure.

08.22.05

Kompakt is such a remarkable organization. It’s hard to overstate their ability to maintain ranks, quality and output all at once. The Total party, held every year around this time, celebrates the company as a whole, and every member of the roster contributes, right down to the cook. We feel privledged to have witnessed Total 6 both with our eyes and with our cameras (that’s Scott Sans the Speaking In Code DP across the room on the catwalk above).

The highlights were too numerous to mention, and we hope some of our blogger friends can contribute with other photos, because it was impossible to be in three places at once. When Rex the Dog, Michael Mayer and Superpitcher are all playing at the same time, what do you do?

Some photos of our favorites. Click to enlarge:

Rex the Dog live on decks and efx. At one point his sequencer came unplugged. I hopped up on stage and plugged it back in. Just doing my part ha.

Reinhard Voigt live downstairs. Thought my camera was going to malfunction. It was quite steamy. Voigt had the crowd eating out of his hand like they were a stray cat.

Justus Kohncke. This is a picture of the audience because the front was so jam packed it was insane. Justus and band (three people in all) were like a cosmic disco dream.

DJ Koze closed out the night upstairs with a ridonkulous 4 hour set of clangy, rambunctious teschno that was accompanied by the sound of so many empty glasses crashing to the floor. He was as animated as any DJ I’ve ever seen. He loves it.

Tobias Thomas might have been our favorite. Maybe it was the length of his set (5+ hours) or the fact it was so late and he was so smooth, but we also heard a lot of our own playlists. The journalist/Kompakt all-star threw memorable moments from NY Excuse to Phoenix.

Before we crept into daylight, the remarkable Herr Thomas dropped a tune from Mathias Aguayo: the most-anticipated Kompakt release of 2005. Aguayo plays a sleek, seductive techno-lounge style. Here’s "De Papel" which features German artist Max Turner on vocals. It sent the crowd (that was left) into a swooning sway.

Mathias Aguayo - "De Papel feat. Max Turner"

08.14.05

As we’ve mentioned, this time around the underground dance scene extends far beyond the traditional berlin/detroit access. The sleek sound has seduced pockets of fanatics in all corners of the world, and none holds more promise than the South American sound.

Headed up by Luciano, German transplant Uwe Schmidt, the golden girl Miss Dinky, worshipped Chilean émigré Ricardo Villalobos and others, Patagonica integrates techno with the shuffling bounce and lilting cadence of Latin American beats.

What is brilliant about the new sound (in Chile, Argentina and, well, worldwide), is what we know of, and what we have heard of, is influencing a new generation of beatmakers. There are gazillions of new kids coming up, laptop in hand, sodering iron in the other, who are following the design of these luminaries. And who knows how good those kids’ll be.

In the meantime, it is the internet, so sites like Buenos Aliens and Loop are just a click away. Thank goodness.

One star of the sound came out in full effect at the trend-setting Mutek festival: Pier Bucci. Bucci DJed with electronic music godhead Luciano at the fantastic Piknic Electronik in Montreal (it’s electronic music Sunday in the park on the riverbank. Marvelous).

Bucci comes from the Patagonica sound and has released a number of 12s and remixes. He is also a member of the Monne Automne duo with Luciano, and plays with Mambotur. Vinyls so hot they start to warp in the racks. Seek them out.

sQuare was fortunate to get out hands on a live (30 MB) demo of his work. Live as in: live. This music is created as you hear it, and while some sounds are preprogrammed, the setup and sound design are happening in real time. And I guarantee you it is a skill requiring dedication and talent. This aint just pushing buttons.

A sneak peek at live Patagonica.

Pier Bucci - "Live Demo"

08.14.05

To be sure, the documentary we are making here at sQuare productions does not revolve around a certain type of electronic music (like, say, the exquisite microhouse of Montreal/Mutek), but rather the different communities which are developing and the sounds those communities are supporting, as well. Like electro-house.

Electro-house is a fevered, ecstatic 4/4 sound that is as dynamic as rock, as pulsing as Chicago acid house and usually ropes in vocals, shouts or other exuberance. So tagged because in incorporates the digitalis of electro (the vocoders, the acid beats, the booty bass) with the boompty-boomp. It’s pretty much what I play out, and what US producers are starting to glom onto. And with good reason.

The scenes developing around this type of sound include communities like BPitch Control, and figures like Erol Alkan, and Damian Lazarus. There are a few duos as well like Tiefschwarz and the whole reason for this post: Simian Mobile Disco.

Turns out, Simian Mobile Disco is playing in Boston (well, Cambridge, but whatever) this Thursday. We’ll be sending out the details about the show via the sQuare productions email list tomorrow.

In the meantime, you can find an exclusive mix inside the picture above, or here. And here’s a track which was featured on our promotional, handmade 2CD set sQuare sound II.

It goes "1!… 2!… 3!… 4!"

Simian Mobile Disco - "The Count"